One of the most compelling folk voices of Kabir in India today, combines singing and explanation of Kabir bhajans in the folk style of the Malwa region of Madhya Pradesh.

tipanyajiIn 1978, at the age of 24, Prahladji first heard and was captivated by the sound of the tambura, a 5-string plucked instrument. He was a village schoolteacher, and singing was not a family tradition. But this became a defining moment for his life. Through the tambura, Prahladji encountered the world of Kabir. The words of this fifteenth-century saint-poet are sung in village after village by hundreds of bhajan mandalis, whose members have kept alive an unbroken oral tradition of singing Kabir’s poetry for 600 years. Prahladji entered this world of all-night bhajan sessions as a learner. Over three decades later he is a household name, his cassettes and CDs heard in countless public and private places. Many acknowledge him as having powerfully contributed to a resurgence of Kabir oral traditions and music in Malwa.

Prahladji was born in the small village of Lunyakhedi, District Ujjain, in 1954. His parents, Atmaramji and Sampatbai Tipanya, were poor and unlettered. After going to live with his maternal grandparents in Manpur, near Indore, he was successful in school and advanced to an M.A. in History, after which he became a government schoolteacher. Today he is Headmaster at Kanasiya Middle School for Girls.

Prahladji combines a powerful singing style with a magnetic ability to communicate with his audiences. His concerts are more than entertaining music. They are deep engagements with the spiritual and social thought of Kabir. In Malwa he is not only admired as a singer, but also revered as one who propagates, with great personal intensity and engagement, the messages of Kabir. His concerts stress the need to rise above petty divisiveness, sectarianism, empty ritualism and hypocrisy, and the need to adopt love as the ultimate religion.

Unswayed by the trends of mixing filmi tunes and synthetic sounds in folk music, Prahladji has resolutely nurtured a Malwi folk music idiom. A new sound he is responsible for introducing is that of the violin, which has now become a trend for bhajan mandalis of his area. He performs with his troupe, which includes accompanying singers and instrumentalists playing manjira, dholak, harmonium, timki and violin. Prahladhji himself plays the tambura and kartal.

Prahladji acknowledges the teaching and guidance of Shri Chenaji Maru, from whom he learned to sing Malwi folk bhajans as a young man. He also acknowledges his spiritual gurus, including Bhimpuri Maharaj (Nath Sampraday), Charan Singh Maharaj (Radha Soami), Griddhmuni nam sahib (Kabir Panth), and Abhilash Sahib, Jyotidas Shastri, Vivekdasji Acharya, Ramjivan Shastri, and Purshottam Sahib, along with the guidance of many other sants and acharyas.